Melie雖然開(kāi)啟電影的無(wú)限創(chuàng)造性他的攝像機(jī)卻永遠(yuǎn)是固定的觀眾的視角無(wú)法變化他始終在遵循著傳統(tǒng)劇院里觀眾-舞臺(tái)關(guān)系傳統(tǒng)--KracauerTheory of Film.老派整天吹傳統(tǒng)高大上想想如今商業(yè)片極快的鏡頭切換也多有裨益至少給到人“逃避機(jī)會(huì)
比昨天看的(No Strings Attached)好多了 可能是受事實(shí)限制沒(méi)拍出特色~ at least you can stand a chance when you are fighting against the white house you would have been standing in prison if it were the communist party.